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#000540

David Moulton's Audio Lecture Series, Volume 1: Loudness, Compression, Distortion

David Moulton

David Moulton's Audio Lecture Series, Volume 1: Loudness, Compression, Distortion — Front Cover
Front Covermain image

The first installment of a spoken-word audio-education course from one of the recording world's most respected teacher-engineers. Delivered as lectures with reference recordings, Volume 1 tackles three fundamentals that quietly make or break a mix: loudness, compression, and distortion. Moulton walks listeners through how our ears perceive level, why compression can tame dynamics without flattening the life out of a track, and how distortion — sometimes ruinous, sometimes the secret sauce — colors sound. It is aimed squarely at the working or aspiring engineer who wants to hear these effects rather than merely read about them. Part of the Playback Platinum Series, the volume reflects Moulton's conviction that critical listening is a trainable skill. Practical and unpretentious, it functions more as a workbook for the ears than a textbook for the shelf.

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The author

David Moulton is an American recording engineer, educator, and loudspeaker designer, best known in audio circles for his Golden Ears ear-training program and for decades of teaching working engineers how to listen critically rather than merely operate gear. His reputation rests on a plain-spoken, laboratory-of-the-ear approach: train perception first, and the technical choices follow.

The book

Volume 1: Loudness, Compression, Distortion is the opening entry in the Playback Platinum Series, issued around 2003 by Music Maker Publications. Rather than a conventional manual, it presents Moulton's material as narrated lectures paired with reference audio, so that concepts like gain-reduction and harmonic coloration can be demonstrated on real signal instead of described on paper.

How it reads

The underlying principles have aged extremely well — psychoacoustics and the behavior of compressors and distortion do not go out of date — even as the CD-lecture delivery format now feels of its moment. Engineers raised on plug-in presets still benefit from being made to hear what a fast attack or a driven stage actually does.

For more context

Pair it with Moulton's other volumes on stereo miking, equalization, and digital audio, and with his Golden Ears course, which drills the same listening skills as timed exercises.

Sources

Type
Book
Author / Maker
David Moulton
Publisher
Music Maker Publications
Year
2003
Edition
Playback Platinum Series
ISBN
9781893658004
Shelf
Music
Location
Colorado