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#000482

Understanding and Crafting the Mix: The Art of Recording, Second Edition

William Moylan

Understanding and Crafting the Mix: The Art of Recording, Second Edition — Front Cover
Front Covermain image

A rigorous, ear-training approach to the aesthetic side of recording. William Moylan — a veteran engineer-producer and academic — gives readers a systematic vocabulary for hearing, evaluating, and shaping the sound qualities of a mix, casting the engineer as composer, conductor, and performer, and using analyses of well-known records to make the ideas concrete, all backed by exercises (this being the expanded second edition of his earlier The Art of Recording). Work through it rather than skim it; the listening exercises and companion audio are where the learning actually happens, and it assumes a willingness to listen analytically. Because it's about aesthetics rather than gear, it has aged far better than equipment-centric manuals. For the serious student of mixing, it trains the most important tool — the ear.

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The author

William Moylan is a professor and coordinator of Sound Recording Technology at the University of Massachusetts Lowell, with decades of experience as a recording engineer and producer across jazz, classical and popular music and several Grammy nominations. His academic bent shows in a book more interested in principles than product recommendations.

The book

Understanding and Crafting the Mix offers a systematic vocabulary for the aesthetic dimension of recording — how to identify, evaluate and shape the sound qualities of a mix — with numerous exercises to build critical-listening skills. Moylan frames the engineer as composer, conductor and performer, and draws on analyses of well-known records to illustrate. This is the second edition, expanded from the earlier The Art of Recording.

How to read it

Work through it rather than skim it; the exercises and companion audio are where the learning happens. It's pitched at students and serious engineers and assumes a willingness to listen analytically. Its focus on aesthetics over equipment means it has aged better than gear-centric manuals, later editions notwithstanding.

For more context

It complements hands-on mixing guides such as Bobby Owsinski's The Mixing Engineer's Handbook, which lean more toward technique and workflow.

Sources

Type
Book
Author / Maker
William Moylan
ISBN
None
Shelf
Music
Location
Colorado