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#000435

Italian Renaissance Art

Laurie Schneider Adams

Italian Renaissance Art — Front Cover
Front Covermain image

Laurie Schneider Adams's *Italian Renaissance Art* is a clear, generously illustrated survey aimed at students and interested general readers, tracing the great arc from the late-medieval Byzantine manner of Cimabue to the threshold of Mannerism. Adams, a respected art historian and teacher, keeps the emphasis where a newcomer wants it—on the major artists and their key works—while side boxes fold in technique, biography, and background without cluttering the narrative. A nice touch is her 'Controversy' boxes, which let readers glimpse the live scholarly arguments that still surround Renaissance art. With over 400 illustrations, many in full color and large enough to actually study, the book manages to feel both authoritative and inviting. It won't replace a specialist monograph, but as a coherent, up-to-date introduction to one of the richest chapters in Western art, it is hard to beat.

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The author

Laurie Schneider Adams was an American art historian and longtime professor whose textbooks—among them the widely used Art Across Time and A History of Western Art—introduced generations of students to the field. She combined mainstream scholarship with an interest in psychoanalytic and interpretive approaches, and wrote with unusual clarity for beginners.

The book

Published by Westview Press in 2001, Italian Renaissance Art narrates the period chronologically, opening with Cimabue's late-Byzantine work and closing at the transition to Mannerism, and concentrating on the most important and innovative artists and their principal works. Its design is pedagogical: over 400 illustrations, more than 200 in color, plus sidebars on techniques, artistic media, and biography, and "Controversy" boxes that expose the ongoing quarrels among Renaissance scholars.

How it reads

It is a teaching book, and a good one—orderly, well illustrated, and pitched to intelligent readers with no prior specialism. The scholarship is sound and current for its date; the "Controversy" feature is what lifts it above a rote survey, hinting that art history is an argument, not a settled list.

For more context

Readers can go deeper with Vasari's Lives, or with monographs on Giotto, Masaccio, Leonardo, and Michelangelo.

Sources - Biblio - Internet Archive

Type
Book
Author / Maker
Laurie Schneider Adams
Publisher
Westview Press
Place of publication
Boulder, Colorado
Year
2001
ISBN
None
Shelf
Art
Location
Colorado

Places

Italy