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#000166

The Cave Artists

Ann Sieveking

The Cave Artists — Front Cover
Front Covermain image

Ann Sieveking's *The Cave Artists* is a compact, authoritative introduction to the painted and engraved art of the Ice Age, published by Thames & Hudson in 1979 as part of its long-running Ancient Peoples and Places series. Sieveking, a prehistorian, surveys the great decorated caves of southern France and northern Spain - Altamira, Lascaux and their kin - and weighs the competing attempts to explain them, from hunting magic to the structural readings of Andre Leroi-Gourhan. Rather than simply admiring the images, she takes their style seriously as evidence about chronology and society. Well illustrated and clearly organized, it is the kind of measured, expert primer the series was built for. For readers wanting a grounded starting point on Paleolithic art before the flashier recent books, it still serves admirably.

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The author

Ann Sieveking was a British prehistorian and specialist in Paleolithic art and portable artifacts, part of a distinguished family of archaeologists. She wrote for a general readership without softening the scholarship.

The book

One volume in Thames & Hudson's Ancient Peoples and Places series, The Cave Artists introduces Upper Paleolithic cave art and the history of its interpretation, giving particular weight to stylistic analysis in the tradition of Leroi-Gourhan and to what style can reveal about date and social meaning.

How it has aged

Decades of new discoveries (Chauvet chief among them) and dating techniques have moved the field on, but as a clear framing of the questions - who made this art, when, and why - it remains a sound introduction.

For more context

Follow it with Jean Clottes's writing on Chauvet, or David Lewis-Williams's The Mind in the Cave for a bolder interpretive theory.

Sources

Type
Book
Author / Maker
Ann Sieveking
Publisher
Thames & Hudson
Place of publication
London
Year
1979
ISBN
None
Shelf
Art
Location
Maine

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