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#000118

Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings

Kristine Stiles & Peter Selz

Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings — Front Cover
Front Covermain image

For anyone wanting to know what modern and contemporary artists actually thought—in their own words—this is among the most useful books to own. Edited by the art historians Kristine Stiles and Peter Selz for the University of California Press, this hefty sourcebook gathers primary documents: manifestos, statements, interviews, and essays by the artists themselves, organized by movement and theme across the postwar era. Rather than filtering everything through critics, it lets Rauschenberg, the Fluxus group, performance and conceptual artists, and dozens more speak directly, with Stiles's substantial introductions setting each section in context. It's a textbook and a reference, dense but navigable, and it has been standard on art-school reading lists for good reason. For anyone serious about understanding contemporary art from the inside, it's close to indispensable.

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The editors

Kristine Stiles is an art historian at Duke specializing in performance, trauma, and the global avant-garde; Peter Selz (1919–2019) was a pioneering curator of modern art, including at MoMA and Berkeley. Their combined range shapes the book's unusually broad reach.

The book

Theories and Documents of Contemporary Art, first published by the University of California Press in 1996 and later revised, is a large anthology of artists' own writings from the postwar period onward. It is arranged thematically, with each section framed by scholarly introductions—chiefly Stiles's—that situate the primary texts.

How it reads

It is a reference work rather than a cover-to-cover read, and its value is exactly that: a reliable, wide-ranging trove of source material. The framing essays remain respected, and the book is still assigned widely, though the newest decades of art naturally fall outside its scope.

For more context

It descends from Herschel Chipp's classic Theories of Modern Art, extending that documentary approach into performance, Fluxus, conceptualism, and beyond.

Sources

Type
Book
Author / Maker
Kristine Stiles & Peter Selz
Publisher
University of California Press
Place of publication
Berkeley and Los Angeles
Year
1996
ISBN
None
Format
Paperback
Shelf
Art
Location
Maine